Throughout his career as an artist, Stillorgan-born artist Sir William Orpen’s work captured and epitomised a great deal about the Irish spirit. Hospitality, endeavour, aspiration, and courage. Often described as the greatest of all war artists, Orpen’s skills as an artist and illustrator brought to life the world’s hopes for peace. His talent as a portraitist was also greatly appreciated by Edwardian society, and a modicum of that inimitable talent was also shared by his close family.
The exhibition at Farmleigh Gallery brings together two distinct views of the Orpen family, both curated to reveal aspects of the family’s talents that are perhaps a little less well known.
In ‘A Family Legacy’, visitors will see a curated range of lesser-known paintings, memorabilia, drawings and illustrated letters by Sir William Orpen himself, along with watercolours by his father Arthur, and mother Annie; his brother Richard, sister-in-law Cherry, daughter Diana, niece Bea, and cousin, Thomas.
A recently discovered collection of glass plate negatives reveals an unexpected strand to the life of Dublin born Goddard Orpen (1852-1932). As an historian, archaeologist, poet and painter he demonstrated a keen sensibility to the physical world and was an inventive photographer who captured a very broad spectrum of life. Though far from being bohemian, he was neither conventional nor a guardian of morality. He celebrated modernism and became fascinated with scientific and technological progress.
This exhibition of Orpen’s photography shows his wide-ranging interest in the world around him where his subjects were local, national and international. He had a keen eye for topographical detail displaying skill and assurance.
In documenting life in the home and on the farm, he created a sociological and historical record of his local community. His ethnographic images are rare and sympathetic examples of his interest in the cultural behaviours, mutual differences and practices of others.
Goddard Orpen was a humanist who understood the importance of imagination to the human condition. His camera work is a valuable addition to the history of Irish photography
Jeremy Hill, Monksgrange Archives.
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